In the near future, gas prices are at an astronomical high. One man is determined to find an alternate fuel source. That alternate fuel source turns out to be blood... HUMAN BLOOD.
| Writing | Adam Pinney | Screenplay |
| Directing | Alex Orr | Director |
| Writing | Alex Orr | Screenplay |
| Production | Tona Kaplan | Production Coordinator |
| Camera | Linnea Frye | Still Photographer |
| Production | Melissa Randle | Production Assistant |
| Crew | Kari Hazlett | Craft Service |
| Lighting | Chris Antignane | Gaffer |
| Production | Adam Sanders | Production Assistant |
| Art | Phoebe Brown | Props |
| Costume & Make-Up | Stephanie Aylworth | Costume Designer |
| Lighting | Brent Bazinski | Best Boy Electric |
| Sound | Allen Lee Williams III | Boom Operator |
| Art | Brit Dunn | Painter |
| Production | Taylor Hart | Location Manager |
| Camera | Tom Pritchard | Grip |
| Sound | Aron Siegel | Sound Mixer |
| Production | Becky Campbell | Production Manager |
| Editing | Adam Pinney | Editor |
| Production | Alex Calderon | Production Assistant |
| Camera | Mike Germon | Grip |
| Crew | Jon Swindall | Post Production Supervisor |
| Production | Molly Brock | Casting |
| Camera | Nick Montalvo | Best Boy Grip |
| Art | Chris Khodadai | Swing |
| Costume & Make-Up | Max McDonough | On Set Dresser |
| Production | Neil Huber | Production Assistant |
| Sound | Sherry Waters | Boom Operator |
| Production | Robert Paraguassu | Production Designer |
| Art | Adam K. Thompson | Swing |
| Directing | Glenda Richardson | Script Supervisor |
| Art | Aaron Barnes | Leadman |
| Writing | Hugh Braselton | Story |
| Writing | Alex Orr | Story |
| Writing | Adam Pinney | Story |
| Production | Tony Holley | Executive Producer |
| Production | Alex Orr | Producer |
| Production | Adam Pinney | Producer |
| Camera | Adam Pinney | Director of Photography |
| Directing | Hugh Braselton | Second Unit Director |
| Directing | Alex Lorre | Second Unit Director |
| Crew | Alex Lorre | Stunt Driver |
| Camera | Ted Sapp | Grip |
