Norman Bates is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis, sister of his most famous victim. Is he really cured, or will he kill again?
Production | Hilton A. Green | Producer |
Sound | Jerry Goldsmith | Original Music Composer |
Writing | Robert Bloch | Characters |
Production | Bernard Schwartz | Executive Producer |
Art | John W. Corso | Production Design |
Writing | Tom Holland | Writer |
Camera | Dean Cundey | Director of Photography |
Directing | Richard Franklin | Director |
Editing | Andrew London | Editor |
Sound | James R. Alexander | Sound Mixer |
Art | Jennifer Polito | Set Decoration |
Sound | Andrew London | Sound Designer |
Sound | Mark Server | Boom Operator |
Production | Jackie Burch | Casting |
Sound | Glenn T. Morgan | Assistant Sound Editor |
Sound | Patrick Clark | Boom Operator |
Sound | Gordon Ecker | Supervising Sound Editor |
Sound | Michael D. Wilhoit | Sound Editor |
Sound | Randy Kelley | Sound Effects Editor |
Sound | Bob Newlan | Foley Editor |
Sound | John Roesch | Foley Artist |
Costume & Make-Up | Peter V. Saldutti | Costume Design |
Sound | Lon Bender | Sound Editor |
Sound | Anthony Milch | Sound Editor |
Costume & Make-Up | Marla Denise Schlom | Costume Design |
Costume & Make-Up | Brian Wade | Makeup Effects Designer |
Directing | Don Zepfel | First Assistant Director |
Directing | Lisa Marmon | Second Assistant Director |
Art | Martha Johnston | Set Designer |
Crew | Greg C. Jensen | Special Effects |
Crew | Bob Yerkes | Stunts |
Camera | Raymond Stella | Camera Operator |
Camera | Ronald Batzdorff | Still Photographer |