The random encounter between two American astronauts and an indigenous inhabitant in the Colombian jungle, a starting point for a counter-history of space conquest.
Catherine misses her bus and wanders through the industrial areas of the south, where she meets the Pharaoh of Marseille. A picaresque journey through the imaginary world of post-industrial collapse.
When Sandro’s father decides to devote his life to God and leaves for a monastery, the teenage introvert finds himself deprived of the fundamental certainties of life. Abandoned by his father and his mother, who is working abroad, the young man embarks on a journey of self-discovery, opening up both to a new friendship with the radical Lasha, who has ties with an ultra-right organisation, and also to the chance to explore his own sexuality. George Sikharulidze’s perceptive feature debut considers how fine the line is between the observer and the observed, and asks where contemporary post-Soviet Georgian society is heading as it hovers on the border between religious conservatism and nationalisation on the one hand, and the desire for independence and modernisation on the other. Natalia Kozáková (kviff.com)
Shards of the world and fragments of life, between Japan and the Rom’s community, come together and respond to each other in a frenetic montage that is both gentle and rebellious.
Alexandru Popovici is a man obsessed with women, whom he films relentlessly. This montage of family and anonymous archives questions the male gaze in the era of Romanian totalitarianism.
The film is about the constraints faced by two women who are unable to release their repressed essence. Overcoming the uneasiness of communicating with a reserved and self-controlled woman, the main heroine is eager to share the intimate experience with her, ultimately coming to terms with one’s identity.
The life of Jeanne Bécu, who was born as the illegitimate daughter of an impoverished seamstress in 1743 and went on to rise through the Court of Louis XV to become his last official mistress.
A filmmaker has to visit his mother, who is suffering from a neurodegenerative disease. Along the way, and the reunions with friends, memories flood back.
In a Carpathian village, Ivan falls in love with Marichka, the daughter of his father's killer. When tragedy befalls her, his grief lasts months; finally he rejoins the colorful life around him, marrying Palagna. She wants children but his mind stays on his lost love. To recapture his attention, Palagna tries sorcery, and in the process comes under the spell of the sorcerer, publicly humiliating Ivan, who then fights the sorcerer. The lively rhythms of village life, the work and the holidays, the pageant and revelry of weddings and funerals, the change of seasons, and nature's beauty give proportion to Ivan's tragedy.
The Emerson String Quartet records their last album, Infinite voyage, in three days, after 47 years of music together. For this farewell, the string quartet invited soprano Barbara Hannigan to join them, and a film was born. Their precise, inhabited work, the moments of enthusiasm and fright, the research and the jokes, the evening meals and the morning confidences, the age limit of these men and the flamboyance of this woman nourishing each other, the admiring friendship full of irony and joyful rigor, the craft and yet the discovery, the humor as a cog towards concentration, the individual and the group… all this composes a portrait of the usually invisible making of music. Before everyone goes their own way.
In a small town in northern Germany, a young person wanders and endures the winter. Driven by a desire for something new, they wait and turn in circles.
The main character looks for a lost dog. An existential wandering through the streets of a working-class neighbourhood in Chile as a free, musical gesture. An ode to stray dogs.
The object is the camera. Its description is the starting point for a reflection on the image – of oneself and of others – and on the time one has to lose in order to capture them.
‘Her triumph was the dance named Flamenco. What a tragic dance! It is, so to speak, all passion expressed in three acts: desire, seduction, and pleasure.’ (Pierre Louÿs, The Woman and the Puppet, 1898)
Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
In 2020 Fogo Azul, an all-woman and non-binary drumming group from New York City traveled to Salvador, Brazil to learn from Banda Dida, the first black, female samba reggae drumming troupe and participate in Carnival. Then in 2022 Adriana Portela, the charismatic leader of Dida, traveled to New York to rehearse with the 115 women of Fogo Azul to participate in the Mermaid Parade in Coney Island. What follows is a portrait of empowerment, joy, inclusion, and the enduring power of the drum.
