Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
| Directing | Simon Curtis | Director |
| Production | David M. Thompson | Producer |
| Production | Kris Thykier | Producer |
| Editing | Peter Lambert | Editor |
| Writing | Alexi Kaye Campbell | Writer |
| Production | Deborah Aquila | Casting |
| Production | Simone Bär | Casting |
| Production | Tricia Wood | Casting |
| Production | Jennifer L. Smith | Casting |
| Production | Gary Davy | Casting |
| Art | Andrew Ackland-Snow | Art Direction |
| Art | Giles Masters | Art Direction |
| Art | Caty Maxey | Art Direction |
| Art | Jim Clay | Production Design |
| Directing | Rebecca Boyle | Script Supervisor |
| Art | Dominic Masters | Supervising Art Director |
| Sound | Martin Phipps | Original Music Composer |
| Sound | Hans Zimmer | Original Music Composer |
| Camera | Ross Emery | Director of Photography |
| Costume & Make-Up | Norma Webb | Key Hair Stylist |
| Costume & Make-Up | Norma Webb | Key Makeup Artist |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Ian Wilson | Supervising Sound Editor |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Costume & Make-Up | Peter Paul | Costume Supervisor |
| Sound | Christoph Bauschinger | Music Editor |
| Sound | Andrew Glen | Music Editor |
| Sound | Maggie Rodford | Music Supervisor |
| Directing | San Davey | Script Supervisor |
| Production | Harvey Weinstein | Executive Producer |
| Production | Len Blavatnik | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
