Doug MacRay is a longtime thief, who, smarter than the rest of his crew, is looking for his chance to exit the game. When a bank job leads to the group kidnapping an attractive branch manager, he takes on the role of monitoring her – but their burgeoning relationship threatens to unveil the identities of Doug and his crew to the FBI Agent who is on their case.
| Production | John Jashni | Executive Producer |
| Writing | Peter Craig | Screenplay |
| Production | William Fay | Executive Producer |
| Writing | Aaron Stockard | Screenplay |
| Writing | Ben Affleck | Screenplay |
| Camera | Robert Elswit | Director of Photography |
| Directing | Ben Affleck | Director |
| Sound | Harry Gregson-Williams | Original Music Composer |
| Production | Thomas Tull | Executive Producer |
| Production | David Crockett | Executive Producer |
| Sound | David Buckley | Original Music Composer |
| Editing | Dylan Tichenor | Editor |
| Production | Lora Kennedy | Casting |
| Art | Peter Borck | Art Direction |
| Costume & Make-Up | Susan Matheson | Costume Design |
| Costume & Make-Up | John E. Jackson | Makeup Department Head |
| Costume & Make-Up | Charlene Amateau | Costume Supervisor |
| Art | Sharon Seymour | Production Design |
| Art | Maggie Martin | Set Decoration |
| Writing | Chuck Hogan | Novel |
| Production | Chay Carter | Co-Producer |
| Visual Effects | Allen Hall | Special Effects Supervisor |
| Crew | Chick Bernhard | Stunts |
| Visual Effects | Max Leonard | Visual Effects Coordinator |
| Directing | Donald Murphy | Assistant Director |
| Crew | Tom McComas | Stunt Coordinator |
| Camera | Colin Anderson | Camera Operator |
| Directing | Lisa Arnone | Script Supervisor |
| Production | Basil Iwanyk | Producer |
| Editing | Salvatore Catanzaro | Digital Intermediate |
| Production | Graham King | Producer |
| Costume & Make-Up | Raul Hernandez | Hairstylist |
| Production | Molly Allen | Production Supervisor |
| Sound | Lili Haydn | Additional Soundtrack |
| Crew | Bob Williams | Special Effects |
| Sound | Brian Courchine | Boom Operator |
| Production | Mark Fitzgerald | Location Manager |
| Sound | David J. Schwartz | Sound Mixer |
| Costume & Make-Up | Kelvin R. Trahan | Hair Department Head |
| Camera | Alexander Witt | Second Unit Director of Photography |
| Camera | Joe Chess | Camera Operator |
| Art | Douglas Fox | Property Master |
| Costume & Make-Up | Catherine Marcotte | Key Hair Stylist |
| Camera | Claire Folger | Still Photographer |
| Costume & Make-Up | Marleen Alter | Makeup Artist |
| Lighting | David Puopolo | Rigging Grip |
| Crew | Michael Peavey | Pilot |
| Directing | Sheila Waldron | Script Supervisor |
| Art | Denis Leining | Art Department Coordinator |
| Art | David Rotondo | Construction Coordinator |
| Crew | Brian Heller | Second Unit Cinematographer |
| Costume & Make-Up | Trish Seeney | Key Makeup Artist |
| Art | Don Miloyevich | Property Master |
| Crew | Debbie Evans | Stunts |
| Crew | Laura Albert | Stunts |
| Art | George Lee | Set Designer |
| Sound | Albert Gasser | Sound Effects Editor |
| Sound | Aaron Glascock | Supervising Sound Editor |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Sound | Curt Schulkey | Supervising Sound Editor |
| Sound | John Joseph Thomas | Sound Effects Editor |
| Sound | Bryan O. Watkins | Sound Effects Editor |
| Visual Effects | Mohummed Yusef | Visual Effects Supervisor |
| Costume & Make-Up | Parrish Kennington | Set Costumer |
| Directing | Alexander Witt | Second Unit Director |
| Crew | Henry Kingi | Stunts |
| Crew | Paul E. Short | Stunts |
| Crew | Steve Kelso | Stunts |
