Based on the 1930's comic strip, puts the hero up against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results.
Writing | David Koepp | Screenplay |
Production | Michael Bregman | Producer |
Camera | Stephen H. Burum | Director of Photography |
Directing | Russell Mulcahy | Director |
Editing | Peter Honess | Editor |
Production | Willi Bär | Producer |
Production | Martin Bregman | Producer |
Editing | Beth Jochem Besterveld | Editor |
Sound | John Benson | Sound Effects Editor |
Sound | Don Digirolamo | Sound Re-Recording Mixer |
Crew | Dick Ziker | Stunt Coordinator |
Lighting | John Dumas | Rigging Grip |
Costume & Make-Up | Shirley Crawford | Hairstylist |
Crew | William H. Phen Jr. | Propmaker |
Sound | Martin Maryska | Supervising Sound Editor |
Lighting | Patrick James Grosswendt | Gaffer |
Lighting | Brian Sata | Rigging Grip |
Editing | Mary Jochem Besterveld | First Assistant Editor |
Sound | Kenneth Hall | Music Editor |
Art | Dan Olexiewicz | Art Direction |
Art | Garrett Lewis | Set Decoration |
Sound | Lauren Palmer | ADR Editor |
Camera | Keith Claridge | Key Grip |
Sound | Timothy P. Salmon | Boom Operator |
Visual Effects | Alison Savitch | Visual Effects Producer |
Sound | Darrell Hall | Music Editor |
Crew | Carissa Green | Choreographer |
Directing | June Samson | Script Supervisor |
Sound | Larry Mann | Dialogue Editor |
Lighting | Rick A. Benedetto | Best Boy Electric |
Lighting | Alfred E. Smithey | Rigging Grip |
Art | Carl J. Stensel | Set Designer |
Art | Robert Webb | Construction Foreman |
Sound | Richard King | Sound Effects Editor |
Camera | Dustin Blauvelt | Camera Operator |
Lighting | Mike J. Campbell Jr. | Rigging Grip |
Lighting | James B. Crawford | Gaffer |
Camera | Ralph Nelson Jr. | Still Photographer |
Costume & Make-Up | Eric H. Sandberg | Costume Supervisor |
Art | Steven Wolff | Art Direction |
Costume & Make-Up | Candace Neal | Key Hair Stylist |
Costume & Make-Up | Janine Rath-Thompson | Hairstylist |
Art | Peter Olexiewicz | Construction Foreman |
Visual Effects | Albert Delgado | Special Effects Supervisor |
Visual Effects | Carmen M. Miller | Visual Effects Coordinator |
Lighting | Jimmy Keys | Rigging Gaffer |
Production | Sari Rosen | Production Coordinator |
Production | Leslie Schor | Production Coordinator |
Production | Cordy Rierson | Production Manager |
Directing | Louis D'Esposito | First Assistant Director |
Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
Lighting | Frank Peterson | Rigging Grip |
Art | Joseph C. Nemec III | Production Design |
Sound | Jeff Bushelman | Dialogue Editor |
Sound | Phillip Linson | Foley Editor |
Crew | Gintar Repecka | Special Effects |
Visual Effects | Hiroshi 'Kan' Ikeuchi | Modeling |
Art | Tully Summers | Sculptor |
Crew | Ken Pepiot | Special Effects Coordinator |
Crew | Christer Hokanson | Visual Effects Editor |
Camera | Carlos M. Gallardo | Dolly Grip |
Camera | Mark O'Kane | Steadicam Operator |
Sound | Alexander Courage | Orchestrator |
Production | Kathleen M. Courtney | Production Coordinator |
Production | Saffron Kenny | Production Coordinator |
Costume & Make-Up | Bridget Bergman | Hairstylist |
Costume & Make-Up | Jene Fielder | Makeup Artist |
Production | Patricia Churchill | Production Manager |
Art | Gordon Huggins | Painter |
Sound | Shelley Rae Hinton | ADR Editor |
Sound | E. Jeane Putnam | Dialogue Editor |
Sound | Jay Wilkinson | Sound Effects Editor |
Camera | Alan S. Blauvelt | First Assistant Camera |
Costume & Make-Up | Debra Beebe | Key Costumer |
Production | Christine Bonnem | Location Manager |
Costume & Make-Up | Rick Provenzano | Hairstylist |
Art | John Zemansky | Property Master |
Sound | Laura Graham | ADR Editor |
Sound | Bruce Stubblefield | ADR Editor |
Lighting | Raymond Michels | Rigging Grip |
Camera | Todd R. Smith | Key Grip |
Camera | Bruce D. Spellman | Key Grip |
Costume & Make-Up | Bill Tiegs | Key Costumer |
Production | Martin Matzinger | Production Coordinator |
Crew | Allan Johnson | Propmaker |
Art | William J. Law III | Set Designer |
Art | James E. Tocci | Set Designer |
Sound | Donald Sylvester | Foley Editor |
Lighting | Dwight Campbell | Gaffer |
Lighting | Stephen Shultz | Rigging Grip |
Sound | Jellybean Benítez | Music Supervisor |
Sound | Arthur Morton | Orchestrator |
Production | Lisa Knaggs | Production Coordinator |
Production | Mary Colquhoun | Casting |
Costume & Make-Up | Carl Fullerton | Makeup Artist |
Costume & Make-Up | Jo-Anne Smith-Ojeil | Makeup Artist |
Art | Steve Callas | Construction Coordinator |
Art | Mike Reiber | Painter |
Visual Effects | Leslie Huntley | Visual Effects Producer |
Lighting | O'Shana Walker | Best Boy Electric |
Writing | Walter B. Gibson | Characters |
Art | Jack Johnson | Art Direction |
Costume & Make-Up | Bob Ringwood | Costume Design |
Art | Mark Woods | Leadman |
Sound | Christopher Flick | Foley Editor |
Sound | Brad Sherman | Sound Re-Recording Mixer |
Sound | Karen G. Wilson | Dialogue Editor |
Visual Effects | Bret Mixon | Roto Supervisor |
Crew | Scott Hubbell | Stunt Coordinator |
Costume & Make-Up | Ronnie Specter | Key Makeup Artist |
Art | Robert L. Thompson | Construction Foreman |
Sound | Allen Hartz | Supervising ADR Editor |
Visual Effects | Steven T Puri | Visual Effects Producer |
Visual Effects | Gene Warren Jr. | Visual Effects Supervisor |
Art | Elizabeth Beloff | Title Designer |
Sound | Jerry Goldsmith | Original Music Composer |
Directing | Dick Ziker | Second Unit Director |
Sound | Alexandra Root | ADR Editor |
Crew | Dana Hee | Stunt Double |
Crew | Chuck Picerni Jr. | Stunts |
Crew | Henry Kingi | Stunts |
Crew | Gregory J. Barnett | Stunts |
Crew | Steve M. Davison | Stunts |
Costume & Make-Up | Todd Tucker | Special Effects Makeup Artist |
Crew | Buddy Joe Hooker | Stunts |
Crew | Kenny Endoso | Stunts |
Crew | Norman Howell | Stunts |