The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
| Directing | Wes Anderson | Director |
| Writing | Wes Anderson | Screenplay |
| Sound | Alexandre Desplat | Original Music Composer |
| Production | Wes Anderson | Producer |
| Production | Jeremy Dawson | Producer |
| Production | Steven M. Rales | Producer |
| Production | Scott Rudin | Producer |
| Writing | Wes Anderson | Story |
| Camera | Robert D. Yeoman | Director of Photography |
| Art | Adam Stockhausen | Production Design |
| Art | Stephan O. Gessler | Art Direction |
| Costume & Make-Up | Milena Canonero | Costume Design |
| Art | Anna Pinnock | Set Decoration |
| Editing | Barney Pilling | Editor |
| Writing | Hugo Guinness | Story |
| Production | Douglas Aibel | Casting |
| Production | Antoinette Boulat | Casting |
| Production | Simone Bär | Casting |
| Production | Jina Jay | Casting |
| Production | Alexandra Montag | Casting |
| Crew | Mark Coulier | Animatronic and Prosthetic Effects |
| Costume & Make-Up | Julie Dartnell | Hairstylist |
| Costume & Make-Up | Heike Merker | Hairstylist |
| Costume & Make-Up | Norma Webb | Hairstylist |
| Costume & Make-Up | Norma Webb | Makeup Artist |
| Costume & Make-Up | Heike Merker | Makeup Artist |
| Crew | Duncan Jarman | Animatronic and Prosthetic Effects |
| Costume & Make-Up | Patricia Colin | Costume Supervisor |
| Directing | Alexandra Torterotot | Script Supervisor |
| Production | Jane Frazer | Co-Producer |
| Production | Molly Cooper | Executive Producer |
| Production | Christoph Fisser | Executive Producer |
| Production | Henning Molfenter | Executive Producer |
| Production | Charlie Woebcken | Executive Producer |
| Production | Octavia Peissel | Associate Producer |
| Art | Roman Berger | Standby Painter |
| Production | Miki Emmrich | Unit Production Manager |
| Crew | Gisela Evert | Post Production Supervisor |
| Crew | Mark Edward Wright | Visual Effects Editor |
| Sound | Simon Rhodes | Music |
| Crew | Nils Konrad | Driver |
| Camera | Jan Brun | Grip |
| Visual Effects | Thorsten Rienth | Digital Compositors |
| Crew | Katharina Hingst | Other |
| Sound | Chris Scarabosio | Supervising Sound Editor |
| Sound | Wayne Lemmer | Supervising Sound Editor |
| Sound | Pawel Wdowczak | Sound Mixer |
| Costume & Make-Up | Frances Hannon | Makeup & Hair |
| Art | Michael Schlingmann | Storyboard Artist |
| Sound | Yann McCullough | Music Editor |
| Art | Josef Brandl | Set Designer |
| Art | Roxy Konrad | Art Department Coordinator |
| Art | Fergus Clegg | Assistant Set Decoration |
| Art | Katharina Birkenfeld | Assistant Set Decoration |
| Art | Carolin Langenbahn | Set Decorating Coordinator |
| Crew | Volkhart Buff | Stunt Coordinator |
| Sound | Randall Poster | Music Supervisor |
| Directing | Josh Robertson | First Assistant Director |
| Directing | Ben Howard | Second Assistant Director |
| Directing | Candy Marlowe | Crowd Assistant Director |
| Camera | Sanjay Sami | Key Grip |
| Lighting | Helmut Prein | Gaffer |
| Camera | Christian Almesberger | First Assistant Camera |
| Art | Gerald Sullivan | Supervising Art Director |
| Art | Robin L. Miller | Property Master |
| Art | Annie Atkins | Graphic Designer |
| Directing | Martin Scali | Second Unit Director |
| Production | John Peet | Associate Producer |
| Production | Klaus Große Darrelmann | Location Manager |
| Production | Dan Hillsdon | Finance |
| Writing | Stefan Zweig | Original Story |
| Art | Jeff Kryvicky | Title Designer |
