In late 1930s Ferrara, Italy, the Finzi-Continis are a leading family: wealthy, aristocratic, and urbane; they are also Jewish. Their adult children, Micol and Alberto, gather a diverse circle of friends for tennis and parties at their villa with its lovely grounds, and try to keep the rest of the world at bay. But tensions between them all grow as anti-Semitism rises in Fascist Italy, and even the Finzi-Continis will have to confront the Holocaust.
| Directing | Vittorio De Sica | Director |
| Sound | Manuel De Sica | Original Music Composer |
| Camera | Ennio Guarnieri | Director of Photography |
| Writing | Giorgio Bassani | Novel |
| Production | Artur Brauner | Producer |
| Production | Arthur Cohn | Producer |
| Editing | Adriana Novelli | Editor |
| Production | Gianni Hecht Lucari | Producer |
| Production | Fausto Saraceni | Executive Producer |
| Writing | Ugo Pirro | Screenplay |
| Writing | Vittorio Bonicelli | Screenplay |
| Directing | Luisa Alessandri | First Assistant Director |
| Directing | Giorgio Treves | Second Assistant Director |
| Art | Franco D'Andria | Set Decoration |
| Costume & Make-Up | Antonio Randaccio | Assistant Costume Designer |
| Production | Enzo Nigro | Unit Manager |
| Directing | Franca Invernizzi | Script Supervisor |
| Camera | Giancarlo Ferrando | Camera Operator |
| Camera | Giorgio Urbinelli | Assistant Camera |
| Camera | Michele Picciaredda | Assistant Camera |
| Production | Claudio Saraceni | Accountant |
| Editing | Marisa Letti | Assistant Editor |
| Editing | Carla Zamponi | Assistant Editor |
| Sound | Massimo Loffredi | Sound |
| Sound | Max Galinsky | Sound |
| Sound | Franco Bassi | Sound Mixer |
| Costume & Make-Up | Giulio Natalucci | Makeup Artist |
| Costume & Make-Up | Anna Cristofani | Hairstylist |
| Production | Romano Dandi | Production Manager |
| Art | Giancarlo Bartolini Salimbeni | Production Design |
| Costume & Make-Up | Giancarlo Bartolini Salimbeni | Costume Design |
| Sound | Carlo Savina | Conductor |
