In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.
Writing | Simon Stone | Screenplay |
Directing | Simon Stone | Director |
Camera | Andrew Commis | Director of Photography |
Costume & Make-Up | Margot Wilson | Costume Design |
Visual Effects | Lucas Newton | VFX Artist |
Crew | Nick Emond | Sound Recordist |
Production | Natalie Wall | Casting Associate |
Sound | Liam Egan | Sound Designer |
Costume & Make-Up | Chiara Tripodi | Makeup Designer |
Camera | Marco Stefanoni | First Assistant Camera |
Camera | Peter Barta | Steadicam Operator |
Art | Annie Clapton | Art Department Coordinator |
Editing | Paul Booth | First Assistant Editor |
Sound | Andrew Kotatko | Music Supervisor |
Production | Jan Chapman | Producer |
Production | Nicole O'Donohue | Producer |
Editing | Veronika Jenet | Editor |
Crew | Tad Pride | Armorer |
Sound | Les Fiddess | Foley |
Costume & Make-Up | Jennifer Stanfield | Makeup Artist |
Lighting | Zac Murphy | Gaffer |
Sound | Yulia Akerholt | Sound Effects Editor |
Sound | Mark Bradshaw | Music |
Art | Steven Jones-Evans | Production Design |
Camera | Mark Rogers | Still Photographer |
Visual Effects | Walter Ratcliffe | VFX Editor |
Directing | Kristin Voumard | Script Supervisor |
Visual Effects | Craig Deeker | Visual Effects Supervisor |
Editing | Tony Murtagh | Dialogue Editor |
Art | Maxine Dennett | Art Direction |
Art | Sara Mathers | Set Decoration |
Camera | Scott Dolan | First Assistant Camera |
Production | Nikki Barrett | Casting |
Costume & Make-Up | Lyn Askew | Costume Supervisor |
Sound | James Andrews | ADR & Dubbing |
Writing | Henrik Ibsen | Author |
Costume & Make-Up | Micheala Macrae | Assistant Makeup Artist |
Production | Lorelle Adamson | Production Manager |
Art | Peter 'Babylon' Owens | Construction Manager |
Camera | Zane Kamat | Second Assistant Camera |
Crew | Jane Maguire | Post Production Consulting |
Production | Sandie Morris | Production Accountant |
Camera | David Nichols | Key Grip |
Costume & Make-Up | Michelle Beeckman | Assistant Makeup Artist |
Visual Effects | Daniel Durao | Visual Effects Producer |
Production | Djuro Bandur | Unit Manager |
Art | Peter Pound | Storyboard Artist |
Sound | Martin Oswin | Foley Mixer |
Production | Jasmin Lyford | Production Coordinator |
Crew | Danielle Roffe | Dialect Coach |
Sound | Tobi Armbruster | Foley Mixer |
Crew | Tony Lynch | Stunt Coordinator |
Production | Lorelle Adamson | Line Producer |
Production | Alex White | Associate Producer |
Sound | Mike Bakaloff | Boom Operator |
Directing | Deborah Antoniou | First Assistant Director |
Art | Adrian Dalton | Property Master |
Directing | Nerida Groth | Second Assistant Director |
Crew | Simon Mak Murrell | Stunts |
Production | Melina Maraki | Post Production Coordinator |
Directing | Jay Corry | Third Assistant Director |
Crew | Olga Miller | Stunt Double |
Camera | Ian Barton | Dolly Grip |
Lighting | Andy MacRae | Electrician |
Production | Morgan Smallbone | Extras Casting |
Production | Jessica Carrera | Publicist |
Sound | Arvo Pärt | Additional Soundtrack |