Major Murphy, a US Army Investigator, has received a new assignment. Sgt. Gammon is suspected of dealing cocaine from his base, and Murphy must gather enough evidence to shut down Gammon and his entire operation. Along with his partner, Lt. Andrews, the Major goes undercover to infiltrate the gang and find out just how far up the chain of command these activities are going.
| Directing | Mark L. Lester | Director |
| Writing | Hersh Rephun | Screenplay |
| Writing | Jeff Albert | Screenplay |
| Production | Jeff Sackman | Executive Producer |
| Production | Mark L. Lester | Producer |
| Directing | Rebecca Levinson | Second Assistant Director |
| Sound | Greg Mauer | Foley Editor |
| Art | Candi Guterres | Production Design |
| Costume & Make-Up | Suzan Kaminga | Assistant Hairstylist |
| Directing | Thomas Burke | First Assistant Director |
| Art | Frank Lawas | Set Dresser |
| Sound | Smith Craig | Sound Re-Recording Mixer |
| Editing | David Berlatsky | Editor |
| Costume & Make-Up | Amanda Carroll | Key Makeup Artist |
| Sound | Greg Mauer | Foley Recordist |
| Sound | Jonathan Wales | Sound Re-Recording Mixer |
| Camera | Skye Chandler | First Assistant Camera |
| Costume & Make-Up | Caroline B. Marx | Costume Design |
| Crew | David Berlatsky | Post Production Supervisor |
| Sound | Brian McGowan | Boom Operator |
| Sound | Paul Ratajczak | Supervising Sound Editor |
| Crew | Kevin Beauchamp | Special Effects Assistant |
| Sound | Paul Zaza | Music |
| Production | Jeffrey Shepherd | Location Manager |
| Sound | Greg Louden | Foley Artist |
| Camera | Dave Beeler | Grip |
| Camera | Paul Janossy | First Assistant Camera |
| Art | Harley E. Hebert | Property Master |
| Lighting | Jason Popieniuck | Best Boy Electric |
| Writing | William C. Martell | Writer |
| Art | Christine Irwin | Set Decoration |
| Costume & Make-Up | Suzan Kaminga | Assistant Makeup Artist |
| Sound | Susan Pusateri | Foley Artist |
| Directing | Monica Ochoa | Script Supervisor |
| Camera | Charles Lenz | Best Boy Grip |
| Writing | Craig J. Nevius | Story |
| Production | Thomas Calabrese | Production Manager |
| Lighting | Shane Buttle | Lighting Technician |
| Art | Jeff Boyce | Leadman |
| Production | Brian R. Etting | Associate Producer |
| Sound | Paul Ratajczak | Sound Re-Recording Mixer |
| Crew | Chuck Borden | Stunt Coordinator |
| Production | Cheryl Shubin | Location Manager |
| Costume & Make-Up | Kenneth Michael Beck | Key Hair Stylist |
| Art | Jenny Shimizu | Construction Coordinator |
| Editing | Bryan M. Horne | Assistant Editor |
| Sound | Michael Kreple | ADR Supervisor |
| Writing | Eric Barker | Writer |
| Production | Dana Dubovsky | Producer |
| Production | Mark Tillman | Casting |
| Art | Laine Abramson | Props |
| Sound | Paul N.J. Ottosson | Sound Effects Editor |
| Lighting | Mike Karasick | Gaffer |
| Camera | Alec Shepherd | Key Grip |
| Sound | Bryan Franklin | Dialogue Editor |
| Sound | Brian S. Tracy | Production Sound Mixer |
| Crew | Errol Sack | Special Effects Assistant |
| Crew | Wayne Beauchamp | Special Effects Coordinator |
| Camera | Igor Meglic | Second Unit Director of Photography |
| Crew | Ken Wheatley | Special Effects Assistant |
| Camera | Jason Andrew | Dolly Grip |
| Camera | Dale Robinette | Still Photographer |
| Camera | Jacques Haitkin | Director of Photography |
| Crew | Warren A. Stevens | Stunts |
| Crew | Patrick J. Statham | Stunts |
| Crew | Art Camacho | Stunts |
| Crew | Eddie Perez | Stunts |
| Crew | Jimmy Ortega | Stunts |
| Crew | Cole S. McKay | Stunts |
| Crew | Mike Ceballos | Stunts |
| Crew | Richard L. Duran | Stunts |
| Crew | José Ignacio Álvarez | Stunts |
| Crew | Rudolf Weber | Stunts |
