Set in 1920, Inge travels from Germany to rural Minnesota in order to meet the man destined to be her husband.
| Directing | Ali Selim | Director |
| Writing | Will Weaver | Writer |
| Production | Ace Allgood | Associate Producer |
| Production | Gil Bellows | Co-Producer |
| Production | Sarah Lopes | Associate Producer |
| Editing | James Stanger | Editor |
| Production | Lillian LaSalle | Executive Producer |
| Sound | Gerard Bonette | Sound Mixer |
| Visual Effects | Kurt Angell | Visual Effects Supervisor |
| Production | Jim Bigham | Producer |
| Production | Howard Ellis | Associate Producer |
| Production | Terrance Moore | Executive Producer |
| Sound | Mark Orton | Music |
| Production | Lynn Blumenthal | Casting |
| Production | Gill Holland | Executive Producer |
| Costume & Make-Up | Eden Miller | Costume Design |
| Production | Thomas Lieberman | Executive Producer |
| Production | Edward J. Driscoll | Executive Producer |
| Production | Stephen Hays | Executive Producer |
| Sound | Mack Melson | Sound Mixer |
| Production | Ali Selim | Producer |
| Art | James Bakkom | Production Design |
| Costume & Make-Up | Masami Saito | Key Hair Stylist |
| Production | Gary S. Kohler | Executive Producer |
| Production | Alan Cumming | Producer |
| Production | Thomas Pope | Co-Producer |
| Sound | Randy Bobo | Sound Designer |
| Production | Robin Selim | Co-Producer |
| Art | Emily Davis | Art Direction |
| Costume & Make-Up | Melanie Harris | Key Makeup Artist |
| Production | Joan Lynn | Casting |
| Sound | Andy Kris | Sound Re-Recording Mixer |
| Production | David Dancyger | Co-Producer |
| Crew | David Tumblety | Cinematography |
| Art | Jill Broadfoot | Set Decoration |
