After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
| Production | Butch Robinson | Producer |
| Editing | Jim Page | Editor |
| Writing | Tony Gayton | Screenplay |
| Production | Frank Darabont | Producer |
| Sound | Thomas Newman | Original Music Composer |
| Directing | D. J. Caruso | Director |
| Camera | Amir Mokri | Director of Photography |
| Costume & Make-Up | Bill Corso | Makeup Department Head |
| Production | Jim Behnke | Production Manager |
| Directing | Tony Adler | First Assistant Director |
| Production | Deborah Aquila | Casting |
| Art | Tom Southwell | Production Design |
| Production | Alison Harstedt | Production Supervisor |
| Art | Douglas Cumming | Art Direction |
| Art | Amanda Moss Serino | Set Decoration |
| Production | Ken Aguado | Producer |
| Production | Eriq La Salle | Producer |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Production | Jim Behnke | Executive Producer |
| Crew | Christy Dimmig | Post-Production Manager |
| Costume & Make-Up | Patricia Miller | Key Hair Stylist |
| Costume & Make-Up | Ken Diaz | Tattoo Designer |
| Camera | David Pearlberg | Dolly Grip |
| Crew | Thomas John McGowan | Studio Teachers |
| Crew | Jack Tice | Studio Teachers |
| Sound | Petra Bach | Dialogue Editor |
| Sound | Howell Gibbens | Supervising Sound Editor |
| Costume & Make-Up | Alison Gail Bixby | Costume Supervisor |
| Costume & Make-Up | Ashlee Petersen | Key Makeup Artist |
| Art | Lynda Reiss | Property Master |
| Camera | Chris Haarhoff | Steadicam Operator |
| Camera | Richard Mall | Key Grip |
| Lighting | Morten Petersen | Lighting Technician |
| Art | Steve Borgese | Greensman |
| Costume & Make-Up | Leslie Sungail | Key Costumer |
| Crew | Ruth Auerbach | Studio Teachers |
| Crew | Darrell Pritchett | Special Effects Coordinator |
| Lighting | Greg Cantrell | Best Boy Electric |
| Sound | Bill Bernstein | Music Editor |
| Directing | Susan Malerstein | Script Supervisor |
| Crew | Manny Perry | Stunt Coordinator |
| Sound | George Simpson | Sound Effects Editor |
| Lighting | George A. Hock | Rigging Gaffer |
| Production | Rob Gibson | Location Manager |
| Sound | Mary Andrews | Dialogue Editor |
| Crew | Judith M. Brown | Studio Teachers |
| Crew | David Fanderlik | Propmaker |
| Art | Kent Johnson | Art Department Coordinator |
| Sound | Elizabeth Kenton | Supervising ADR Editor |
| Lighting | Kris Guthrie | Rigging Grip |
| Crew | Roland Bleitz | Armorer |
| Art | Kenneth Garrett | Sculptor |
| Art | Greg Wilkinson | Leadman |
| Camera | Stephen Vaughan | Still Photographer |
| Camera | Daniel C. Gold | Camera Operator |
| Lighting | Max Pomerleau | Chief Lighting Technician |
| Production | Shari LaFranchi Blakney | Production Coordinator |
| Sound | Thom Brennan | Foley Editor |
| Sound | Eric Bretter | Sound Recordist |
| Camera | John Grillo | First Assistant Camera |
| Editing | Tracey Wadmore-Smith | First Assistant Editor |
| Sound | Thomas Pasatieri | Orchestrator |
| Sound | Mark A. Mangini | Sound Effects Designer |
| Art | Larry Guy Clause | Construction Foreman |
| Art | Tim Gomes | Painter |
| Sound | Bill Shotland | Boom Operator |
| Lighting | Joseph F. Warren | Gaffer |
| Editing | Vince Filippone | First Assistant Editor |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Art | John R. Elliott | Construction Coordinator |
| Art | Eric Sundahl | Set Designer |
| Camera | Philippe Carr-Forster | Camera Operator |
| Production | Bob Berkus | Location Manager |
| Crew | David Aaron | Armorer |
| Crew | Henry Kingi | Stunts |
| Crew | Bob Brown | Stunts |
| Crew | Danny Wynands | Stunts |
| Crew | Tim Trella | Stunts |
| Crew | Doc Duhame | Stunts |
