Los Angeles S.W.A.T. officer, Lt. Paul Cutler, is sent to train the Detroit S.W.A.T. team on new anti-terrorism and homeland security techniques. Cutler has a hard time settling into his assignment as he locks horns with his new captain and encounters resistance from the team he must lead. Cutler begins to adjust to his new assignment, starting a budding romance with police psychologist Kim Byers along the way. Unexpectedly, a routine hostage call turns deadly, and a relentless ex-government agent named Walter Hatch vows revenge on Cutler and the entire S.W.A.T. team for killing the woman he loves. Cutler must use his considerable S.W.A.T. training and knowledge to save his teammates and defeat a trained killer.
| Writing | Reed Steiner | Screenplay |
| Directing | Benny Boom | Director |
| Production | Amanda Lewis | Producer |
| Production | Scott Putman | Executive Producer |
| Production | Neal H. Moritz | Producer |
| Camera | Don Davis | Director of Photography |
| Production | Rui Costa Reis | Executive Producer |
| Writing | Michael Albanese | Story |
| Production | Jeni Mulein | Co-Producer |
| Production | Dyan Traynor | Co-Producer |
| Writing | Ed Arneson | Story |
| Writing | Randy Walker | Story |
| Production | Eliad Josephson | Executive Producer |
| Writing | Reed Steiner | Story |
| Sound | John Paesano | Music |
| Art | Bruton Jones | Production Design |
| Lighting | Michael J. Conner | Best Boy Electric |
| Costume & Make-Up | Stanley Moore | Costume Supervisor |
| Costume & Make-Up | Vicente Parada | Key Costumer |
| Crew | Sam Arthurs | Armorer |
| Costume & Make-Up | Jeannette Moriarty | Key Hair Stylist |
| Sound | Jeffrey A. Pitts | Sound Effects Editor |
| Camera | Andy Hoehn | First Assistant Camera |
| Art | Sean Clouser | Construction Coordinator |
| Sound | Joe Dzuban | Supervising Sound Editor |
| Sound | Craig Dollinger | Boom Operator |
| Camera | Alicia Gbur | Still Photographer |
| Camera | Erik F. Hill | Dolly Grip |
| Sound | Kier Lehman | Music Supervisor |
| Costume & Make-Up | John Tarro | Hair Department Head |
| Directing | Mike Ellis | First Assistant Director |
| Sound | Jacob Riehle | Dialogue Editor |
| Sound | Tim Tuchrello | Sound Editor |
| Costume & Make-Up | Kimberly Jones | Makeup Department Head |
| Costume & Make-Up | Jayne Laube | Key Makeup Artist |
| Art | Sarah M. Pott | Set Designer |
| Sound | Benjamin L. Cook | Supervising Sound Editor |
| Lighting | Anthony 'Spike' Simms | Gaffer |
| Visual Effects | Joe Pancake | Pyrotechnic Supervisor |
| Camera | Kevin D. Hewitt | Camera Operator |
| Production | Michael S. Jones | Location Manager |
| Costume & Make-Up | Francine Jamison-Tanchuck | Costume Design |
| Camera | Christopher Bottoms | Camera Operator |
| Visual Effects | Paul Andraos | Visual Effects Producer |
| Visual Effects | Russell Tyrrell | Special Effects Supervisor |
| Crew | Richard L. Hill | Pyrotechnician |
| Art | Selina van den Brink | Set Decoration |
| Camera | William Eichler | Steadicam Operator |
| Production | Daniel A. Mondschain | Production Supervisor |
| Art | Vicki Stefanopoulos | Art Department Coordinator |
| Sound | Trent Richmond | Foley Editor |
| Lighting | Michael W. Anderson | Lighting Technician |
| Production | Bridget Reddeman | Location Manager |
| Sound | Dean Andre | Sound Recordist |
| Visual Effects | Cyryl Koshyk | Visual Effects Supervisor |
| Camera | Reed Koppen | First Assistant Camera |
| Sound | Greg Vines | Music Editor |
| Production | Benny Boom | Co-Producer |
| Crew | Troy Gilbert | Stunts |
| Crew | Jessica Harbeck | Stunt Double |
