In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.
Production | Su Armstrong | Producer |
Production | Tony Scott | Executive Producer |
Camera | Mike Southon | Director of Photography |
Production | Ridley Scott | Executive Producer |
Directing | Benjamin Ross | Director |
Editing | Alex Mackie | Editor |
Sound | John Altman | Original Music Composer |
Sound | Paul Wrightson | Sound Effects Editor |
Art | Maria Djurkovic | Production Design |
Sound | Gordon Brown | Dialogue Editor |
Sound | Nick Adams | Supervising Sound Editor |
Sound | Mark Taylor | Sound Re-Recording Mixer |
Directing | Heather Storr | Script Supervisor |
Camera | Stephen Morley | Still Photographer |
Visual Effects | Steven Begg | Visual Effects Supervisor |
Art | Tatiana Macdonald | Set Decoration |
Costume & Make-Up | Ali Goss | Costume Supervisor |
Sound | Jonathan Cronin | ADR Editor |
Art | Alan Bailey | Property Master |
Sound | Clive Derbyshire | Sound Recordist |
Art | Lucinda Thomson | Art Direction |
Sound | Mike Dowson | Sound Re-Recording Mixer |
Production | Lora Kennedy | Casting |
Production | Joyce Nettles | Casting |
Costume & Make-Up | Stewart Meachem | Costume Designer |
Production | Diane Minter Lewis | Co-Executive Producer |
Production | Chris Zarpas | Co-Executive Producer |
Writing | John Logan | Screenplay |
Crew | Richard Hammatt | Stunt Coordinator |
Crew | Lee Sheward | Stunt Coordinator |
Production | Nigel Gostelow | Unit Production Manager |
Directing | Toby Ford | Second Assistant Director |
Art | Judy Ducker | Property Buyer |
Camera | Ian Jackson | Camera Operator |
Camera | Malcolm J. Sheehan | Key Grip |
Costume & Make-Up | Roseann Samuel | Hair Department Head |
Costume & Make-Up | Roseann Samuel | Makeup Department Head |
Directing | Jo Schotting | Third Assistant Director |
Writing | Thomas Lennon | Story Consultant |
Writing | Richard Ben Cramer | Story Consultant |
Writing | Michael Epstein | Story Consultant |
Lighting | Micky Brown | Gaffer |
Crew | Stuart Murdoch | Special Effects |
Crew | Stephen Barker | Post Production Supervisor |
Crew | Tracey Gibbons | Post Production Supervisor |
Sound | Diane Greaves | Foley Artist |
Sound | Michelle Greaves | Foley Artist |
Editing | Michael Stainer | Color Timer |
Directing | David Daniels | First Assistant Director |