Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.
| Production | Martha De Laurentiis | Producer |
| Production | Mary Colquhoun | Casting |
| Writing | Norman Wexler | Screenplay |
| Sound | Tom Bähler | Original Music Composer |
| Costume & Make-Up | Hilton Rosemarin | Set Dressing Artist |
| Sound | Chris Boardman | Original Music Composer |
| Directing | John Irvin | Director |
| Art | Maher Ahmad | Art Direction |
| Writing | Gary DeVore | Screenplay |
| Editing | Anne V. Coates | Editor |
| Sound | Albhy Galuten | Original Music Composer |
| Camera | Alex Thomson | Director of Photography |
| Costume & Make-Up | Clifford Capone | Costume Design |
| Art | Timothy W. Tiedje | Assistant Property Master |
| Art | Mark S. Turner | Standby Painter |
| Camera | Kenneth Atherfold | Key Grip |
| Production | Angela Heald | Production Coordinator |
| Sound | Craig Smith | Foley Editor |
| Lighting | David W. Strong | Lighting Technician |
| Art | Jerry Hall | Assistant Art Director |
| Sound | Gilberto Costa-Nunes | Assistant Sound Editor |
| Production | Fred C. Caruso | Production Manager |
| Lighting | Steve Venetis | Electrician |
| Lighting | William Stuebe | Gaffer |
| Camera | Anthony Stephens | Grip |
| Directing | Valerie E. Norman | Script Supervisor |
| Editing | Christopher Cibelli | First Assistant Editor |
| Costume & Make-Up | Aldo Signoretti | Hairstylist |
| Costume & Make-Up | Jamie Sue Weiss | Hairstylist |
| Art | Rod Schumacher | Assistant Art Director |
| Sound | John Benson | Sound Editor |
| Production | Craig Fincannon | Additional Casting |
| Sound | Greg Orloff | Foley Mixer |
| Art | Jeffrey Schlatter | Construction Coordinator |
| Camera | Colin Corby | Camera Operator |
| Production | Mark Fincannon | Additional Casting |
| Directing | Yvonne Axeworthy | Script Supervisor |
| Art | Hilton Rosemarin | Set Decoration |
| Camera | Roger McDonald | Focus Puller |
| Sound | Ann Ducommun | Assistant Sound Editor |
| Sound | Martin Maryska | Sound Editor |
| Editing | David Mann | Assistant Editor |
| Production | Michael W. Stroud | Production Supervisor |
| Lighting | Roy Larner | Gaffer |
| Camera | Joe D'Alessandro | Grip |
| Sound | Susan Mazzei | Assistant Sound Editor |
| Sound | Paul C. Warschilka | Assistant Sound Editor |
| Sound | David Pearson | Boom Operator |
| Sound | Carl Lewis | ADR Supervisor |
| Costume & Make-Up | Barbara Page | Makeup Supervisor |
| Camera | Daniele Nannuzzi | Second Unit Director of Photography |
| Costume & Make-Up | Jayme Bednarczyk | Wardrobe Supervisor |
| Sound | Marian Wilde | Assistant Sound Editor |
| Camera | John Robert Miller | Key Grip |
| Camera | Dan Kneece | Steadicam Operator |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Crew | Michael Klastorin | Unit Publicist |
| Sound | Tom Bellfort | Sound Editor |
| Sound | David Hildyard | Sound Mixer |
| Art | Giorgio Postiglione | Production Design |
| Crew | Todd B. Lawson | Propmaker |
| Camera | Chyna Thomson | Camera Operator |
| Camera | Jürgen Vollmer | Still Photographer |
| Sound | Jerry Ross | Supervising Sound Editor |
| Production | Dino De Laurentiis | Executive Producer |
| Writing | Sergio Donati | Story |
| Writing | Luciano Vincenzoni | Story |
| Directing | Bruce Moriarty | Second Assistant Director |
| Directing | Glenn Randall Jr. | Second Unit Director |
| Crew | Steven Lambert | Utility Stunts |
| Camera | Kika Ungaro | Assistant Camera |
| Crew | Nick Dimitri | Utility Stunts |
| Crew | Loren Janes | Utility Stunts |
| Production | Dino De Laurentiis | Producer |
