After an atomic war Phillip Hammer and Marlowe Chandler have spent 15 years on their own in an bunker, stuffed with junk from the 40s and old detective novels. Now, 19 years old, they leave their shelter to find a world full of mutants, freaks and cannibals. They become famous detectives in the struggle for the two keys that could fire the last nuclear weapon.
| Directing | Albert Pyun | Director |
| Writing | Albert Pyun | Writer |
| Sound | Peter Manning Robinson | Music |
| Editing | Dennis M. O'Connor | Editor |
| Costume & Make-Up | Christine Boyar | Costume Design |
| Crew | Brian Wade | Makeup Effects |
| Crew | R.J. Hohman | Special Effects Coordinator |
| Camera | Charles Minsky | Director of Photography |
| Art | Chester Kaczenski | Production Design |
| Art | Bob Ziembicki | Set Decoration |
| Production | Moctesuma Esparza | Producer |
| Production | H. Frank Dominguez | Executive Producer |
| Production | Roger Holzberg | Associate Producer |
| Production | Hunter Johnson | Line Producer |
| Production | Tom Karnowski | Producer |
| Production | Michael Thomas Slifkin | Associate Producer |
| Production | Janet Hirshenson | Casting |
| Production | Beth Tate | Location Manager |
| Directing | Benita Brazier | Script Supervisor |
| Crew | Donna Evans | Stunts |
| Crew | Rick Avery | Stunts |
| Crew | Andy Gill | Stunts |
| Costume & Make-Up | Ve Neill | Makeup Designer |
| Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
| Costume & Make-Up | Brian Wade | Special Effects Makeup Artist |
| Art | Michael Listorti | Set Dresser |
| Directing | Roger Holzberg | Second Unit Director |
| Sound | Don Sanders | Production Sound Mixer |
| Crew | Richard Epper | Stunts |
| Crew | Larry Lapointe | Special Effects Assistant |
| Costume & Make-Up | Susan Nininger | Costume Designer |
| Sound | John V. Stuckmeyer | Music Supervisor |
