A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.
| Directing | Miguel Colombo | Director |
| Writing | Miguel Colombo | Writer |
| Crew | Miguel Rivarola | Cinematography |
| Editing | Alejandra Almirón | Editor |
| Editing | Miguel Colombo | Editor |
