The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
Writing | Fenton Bailey | Screenplay |
Art | Andrea Stanley | Production Design |
Directing | Fenton Bailey | Director |
Art | Laura Ballinger | Art Direction |
Production | Jon Marcus | Producer |
Writing | Randy Barbato | Screenplay |
Editing | Jeremy Simmons | Editor |
Production | Fenton Bailey | Producer |
Art | Susan Ogu | Set Decoration |
Camera | Teodoro Maniaci | Director of Photography |
Production | Susan Shopmaker | Casting |
Production | Randy Barbato | Producer |
Sound | James Harry | Original Music Composer |
Directing | Randy Barbato | Director |
Production | Brad Simpson | Producer |
Production | Christine Vachon | Producer |
Camera | JoJo Whilden | Still Photographer |
Sound | Howard Paar | Music Supervisor |
Directing | Anthony Pettine | Script Supervisor |
Sound | Jed M. Dodge | Dialogue Editor |
Sound | Michael J. Fox | ADR Mixer |
Sound | William Martel Jr. | Production Sound Mixer |
Sound | Lance Brown | Sound Re-Recording Mixer |
Sound | Marilyn Graf | Foley Mixer |
Sound | Derek Marcil | Sound Re-Recording Mixer |
Sound | Robert Getty | Dialogue Editor |
Sound | Frederick Howard | Sound Effects Editor |
Sound | Phyllis Ginter | Foley Artist |
Sound | Frank Gaeta | Supervising Sound Editor |
Sound | Antonio L. Arroyo | Sound Mixer |
Costume & Make-Up | Michael Wilkinson | Costume Design |
Production | Charlie Dibe | Production Assistant |
Writing | James St. James | Novel |