Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
| Directing | Roland Emmerich | Director |
| Production | Joe Reich | Casting |
| Costume & Make-Up | Marc Gäbelein | Set Dressing Artist |
| Visual Effects | Volker Engel | Visual Effects Supervisor |
| Lighting | Christian Saalfeld | Electrician |
| Visual Effects | Sikander Goldau | I/O Supervisor |
| Production | Michael Scordino | Executive Producer |
| Crew | Robert Gerard Brown | Second Unit |
| Costume & Make-Up | Wolfgang Haupt | Set Dressing Artist |
| Lighting | Horst Markgraf | Electrician |
| Lighting | Mario Müller | Electrician |
| Lighting | Rainer Pfister | Best Boy Electrician |
| Camera | Thomas Ch. Weber | Additional Photography |
| Art | Frank Bollinger | Construction Coordinator |
| Visual Effects | Carl Schmitt | Modeling |
| Production | Ute Emmerich | Producer |
| Visual Effects | Hartmut Keller | Animation |
| Visual Effects | Klaus Knoesel | Animation |
| Directing | Andrea Wimmer | Script Supervisor |
| Crew | Volker Engel | Special Effects |
| Production | Carsten H.W. Lorenz | Line Producer |
| Art | Oliver Scholl | Production Design |
| Visual Effects | Bernd Kammermeier | Visual Effects |
| Lighting | Honorat Stangl | Gaffer |
| Costume & Make-Up | Florian Lehner | Set Dressing Artist |
| Sound | Hubert Bartholomae | Sound Designer |
| Visual Effects | Andreas Hoffmann | Chief Technician / Stop-Motion Expert |
| Visual Effects | Hartmut Keller | Chief Technician / Stop-Motion Expert |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Writing | Dean Heyde | Screenplay |
| Production | Roland Emmerich | Producer |
| Editing | Tomy Wigand | Editor |
| Costume & Make-Up | Robin Schannewitzki | Costume Design |
| Sound | Chris Ledesma | Music Editor |
| Crew | Theo Nischwitz | Special Effects |
| Visual Effects | Holger Neuhäuser | Animation |
| Production | Dean Heyde | Producer |
| Art | Sven Hass | Set Decoration |
| Crew | Joachim Grüninger | Special Effects |
| Camera | Frank Scharl | Grip |
| Visual Effects | Oliver Steegmueller | Chief Technician / Stop-Motion Expert |
| Production | Jakob Claussen | Production Manager |
| Lighting | Rainer Pfister | Electrician |
| Writing | Oliver Eberle | Screenplay |
| Costume & Make-Up | Ha Nguyen | Costume Design |
| Lighting | Wolfram Anders | Electrician |
| Sound | Jack Smalley | Orchestrator |
| Art | Sonja B. Zimmer | Construction Coordinator |
| Writing | Dean Heyde | Story |
| Costume & Make-Up | Delia Mündelein | Makeup Artist |
| Sound | Christopher L. Stone | Orchestrator |
| Writing | Oliver Eberle | Story |
| Camera | Markus Dürr | First Assistant Camera |
| Sound | Jens Hasler | Sound |
| Writing | P.J. Mitchell | Story |
| Writing | Roland Emmerich | Story |
| Costume & Make-Up | Suleika Ulmen | Makeup Artist |
| Sound | Joel Goldsmith | Original Music Composer |
