Vinnie's a bookie, happily married, running his operation for 30 years out of his bar in Brooklyn. Times change, the boys up the chain want a bigger profit, so Vinnie's expendable He's assigned a hotheaded kid, Tony, the nephew of a local mobster. Vinnie's told to school the lad, use him for collections, and teach him some sense. What Vinnie doesn't know is that once Tony learns the ropes, Vinnie will be out. Tensions mount when Tony goes around Vinnie's paternalistic ways, takes a bet from an unemployed alcoholic, and demands that the loser's wife pay the vig in trade. Is there any way out for Vinnie - with or without his good name?
| Production | Lauren McLaughlin | Co-Producer |
| Directing | Graham Theakston | Director |
| Writing | Paul Hapenny | Screenplay |
| Production | Cis Corman | Executive Producer |
| Production | John Dunning | Executive Producer |
| Production | André Link | Executive Producer |
| Production | Erin Martin | Executive Producer |
| Production | Michael Paseornek | Executive Producer |
| Production | Jeff Sackman | Executive Producer |
| Production | Derrick Tseng | Line Producer |
| Production | F. Miguel Valenti | Producer |
| Sound | Colin Towns | Original Music Composer |
| Editing | Alan Jones | Editor |
| Art | Phyllis Cedar | Production Design |
| Art | Betsy Alton | Set Decoration |
| Costume & Make-Up | Nancy Brous | Costume Design |
| Production | Monica Hampton | Production Manager |
| Production | Amy Starr | Unit Manager |
| Crew | Philip Stilman | Post Production Supervisor |
| Production | Stacie Goodman | Casting Assistant |
| Art | Patricia Castellanos | Location Scout |
| Production | Ian MacGregor | Location Manager |
| Sound | Gerry Gershman | Music Supervisor |
| Production | Sophia Lin | Production Coordinator |
| Camera | Sarah Cawley | Director of Photography |
