The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
| Directing | Susana Bernal | Director |
| Crew | Susana Bernal | Cinematography |
| Sound | Susana Bernal | Sound Director |
| Production | Susana Bernal | Producer |
| Production | Cecilia Domínguez | Associate Producer |
| Sound | Fernando Vigueras | Music |
| Sound | Alicia Segovia Juárez | Sound Designer |
| Sound | Alicia Segovia Juárez | Sound Mixer |
| Sound | David Castillo | Foley |
| Crew | Ariel Gordon | Post Production Supervisor |
| Production | Elizabeth Morales | Production Office Coordinator |
| Editing | Phaedra Robledo | Color Timer |
| Crew | Pablo Bernal | Editorial Staff |
| Writing | Susana Bernal | Screenplay |
| Camera | Santiago Torres | Director of Photography |
