Director Pedro came to Japan in April 2011, started shooting in the village Totsukawa of Nara Prefecture. He, as Himotoku, began to spin the story with his camera instead of a brush…
Sound | Uriel Esquenazi | Sound Designer |
Sound | Aldo Arechar | Music Editor |
Sound | Aldo Arechar | Foley |
Crew | Junko Koide | Production Office Assistant |
Production | Rafael Pérez | Production Office Coordinator |
Crew | Takao Toshioka | Technical Supervisor |
Directing | Pedro González-Rubio | Director |
Production | Shunji Dodo | Producer |
Writing | Shyam Nepali | Musical |
Writing | Diego Belliure | Musical |
Production | Masako Murano | Production Manager |
Crew | Joakim Ziegler | Post Production Supervisor |
Editing | Pedro González-Rubio | Editor |
Production | Naomi Kawase | Producer |
Crew | Miyuki Yamanaka | Translator |
Crew | Oyvind Stiauren | Post Production Supervisor |
Writing | Pedro González-Rubio | Writer |
Lighting | Kosuke Yamamoto | Lighting Manager |
Production | Shinji Kitagawa | Production Manager |
Visual Effects | Oyvind Stiauren | Color Designer |
Crew | Osamu Muranaka | Technical Supervisor |
Crew | Francisco Castellanos | Studio Teachers |
Writing | Fausto Palma | Musical |
Writing | Rhaman Maharjan | Musical |
Sound | Uriel Esquenazi | Sound Editor |
Sound | Uriel Esquenazi | Sound mixer |
Crew | Jun Okumura | Technical Supervisor |
Production | Nami Teramoto | Production Manager |
Sound | Aldo Arechar | Sound Designer |
Camera | Pedro González-Rubio | Director of Photography |
Writing | Héctor Ruíz | Musical |
Sound | Héctor Ruíz | Original Music Composer |