A neo-Nazi Doctor tries to make a superwoman of his daughter who has been specially fed, exercised & Conditioned since she was a child to run in the Olympics.
| Directing | Joseph Sargent | Director |
| Writing | Peter Lovesey | Novel |
| Writing | John Kohn | Writer |
| Directing | Carla Brand Breitner | Assistant Director Trainee |
| Production | Alan Cluer | Associate Producer |
| Production | Elliott Kastner | Producer |
| Production | Danny O'Donovan | Producer |
| Production | Clifford Press | Associate Producer |
| Sound | Bill Conti | Original Music Composer |
| Crew | Stevan Larner | Cinematography |
| Editing | Harry Keramidas | Editor |
| Production | Lynn Stalmaster | Casting |
| Art | Sydney Z. Litwack | Art Direction |
| Art | Jerry Adams | Set Decoration |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Costume & Make-Up | Ron Snyder | Makeup Artist |
| Costume & Make-Up | Marlene D. Williams | Hairstylist |
| Crew | John Comfort | Post Production Supervisor |
| Production | Eddie Saeta | Production Supervisor |
| Directing | Michael J. Kane | Second Assistant Director |
| Directing | William Martin III | First Assistant Director |
| Art | Jerry Graham | Property Master |
| Art | Paul Helbert | Standby Painter |
| Art | Emad Helmy | Set Designer |
| Art | Robert Krume | Construction Coordinator |
| Art | Peter Mullins | Art Department Coordinator |
| Art | William Walters | Construction Foreman |
| Art | Jeff Wilkinson | Graphic Designer |
| Art | Gary F. Kieldrup | Assistant Property Master |
| Art | Duane R. Marion | Leadman |
| Sound | John Poyner | Sound Effects Editor |
| Sound | Trevor Pyke | Sound Re-Recording Mixer |
| Sound | B. Scott Senechal | Boom Operator |
| Sound | Don Sharpless | Sound Mixer |
| Sound | David Watts | Dolby Consultant |
| Sound | Clark King | Boom Operator |
| Crew | Debbie Bottomley | Stunt Double |
| Lighting | Clint Acquistapace | Electrician |
| Camera | William Anderson | Dolly Grip |
| Camera | Jack Courtland | Camera Operator |
| Camera | Tony DeGeorge | Best Boy Grip |
| Camera | Gene Griffith | Key Grip |
| Lighting | Alan Heather | Best Boy Electric |
| Lighting | Ben Holloway | Electrician |
| Lighting | Calvin Maehl | Gaffer |
| Camera | Robert Nese | Still Photographer |
| Camera | Louis Niemeyer | Assistant Camera |
| Camera | Steve Peterson | Assistant Camera |
| Camera | Steve Stafford | Assistant Camera |
| Lighting | Eddie Taylor | Electrician |
| Production | Carl Joy | Extras Casting |
| Costume & Make-Up | Vou Lee Giokaris | Costumer |
| Costume & Make-Up | Chad Harwood | Costume Supervisor |
| Editing | Gloria Gunn | Assistant Editor |
| Crew | Liz Mackiewicz | Post Production Assistant |
| Editing | Ann Millgate | Assistant Editor |
| Editing | Rachel Reed | Assistant Editor |
| Editing | Kay Suffern | Negative Cutter |
| Production | Kay Molyneaux | Location Manager |
| Sound | Cliff Kohlweck | Music Editor |
| Sound | Harry Rabinowitz | Conductor |
| Sound | Kenneth Hall | Music Editor |
| Sound | Dan Wallin | Music Score Producer |
| Directing | Rose Steinberg | Script Supervisor |
| Crew | Ronnie Baker | Transportation Coordinator |
| Crew | Ernest C. Molina | Transportation Captain |
| Crew | Harry Bailiss | Driver |
| Crew | Louise Campbell | Driver |
| Crew | Gary Cruise | Driver |
| Crew | Bill Hunt | Driver |
| Crew | Chris Maneff | Driver |
| Crew | Sam Press | Driver |
| Crew | Peter Benoit | Unit Publicist |
| Production | Sherry Pichon | Production Coordinator |
| Production | Benjamin H. Pettis III | Production Assistant |
