Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
| Camera | Phil Meheux | Director of Photography |
| Art | Anne Kuljian | Set Decoration |
| Art | Norman Reynolds | Production Design |
| Writing | Nicholas Kazan | Screenplay |
| Directing | Chris Columbus | Director |
| Sound | James Horner | Original Music Composer |
| Editing | Neil Travis | Editor |
| Editing | Nicolas De Toth | Editor |
| Art | Matsune Suzuki | Conceptual Design |
| Visual Effects | Merrick Rustia | Animation |
| Writing | Isaac Asimov | Novel |
| Production | Paula DuPré Pesmen | Associate Producer |
| Production | Mark Radcliffe | Producer |
| Costume & Make-Up | Joseph G. Aulisi | Costume Design |
| Production | Dan Kolsrud | Executive Producer |
| Production | Michael Barnathan | Producer |
| Production | Janet Hirshenson | Casting |
| Art | Mark W. Mansbridge | Art Direction |
| Production | Neal Miller | Producer |
| Art | Bruton Jones | Art Direction |
| Production | Chris Columbus | Producer |
| Production | Laurence Mark | Producer |
| Production | Jane Jenkins | Casting |
| Production | Gail Katz | Producer |
| Art | William Hiney | Art Direction |
| Writing | Robert Silverberg | Novel |
| Production | Wolfgang Petersen | Producer |
| Art | Tory Belleci | Props |
| Costume & Make-Up | Gary Archer | Prosthetics |
