Veronica, recently divorced with a son, begins to organize her life and adapt to the new situation. Her problems are soon relegated to the back ground when Carlos, her masseuse, is murdered. Knowing himself in danger, Carlos left a final message on her answering machine: she had to retrieve a package hidden in a railway station toilet. From that moment, Veronica will not know peace.
Directing | José Luis García-Berlanga | Director |
Production | Maria José Poblador | Casting |
Costume & Make-Up | María Gil | Costume Design |
Art | Gloria Martí | Set Decoration |
Production | Helena Matas | Executive Producer |
Writing | Joan Potau | Story |
Sound | Bernardo Bonezzi | Music |
Directing | Carlos Gil | Assistant Director |
Art | Isidro Terraza | Property Master |
Writing | Lola Salvador | Screenplay |
Crew | Josep M. Civit | Cinematography |
Writing | Francisco G. Siurana | Story |
Production | Alfredo Matas | Executive Producer |
Camera | Julián Fernández | Key Grip |
Writing | Agustín Díaz Yanes | Story |
Costume & Make-Up | Gregorio Ros | Makeup Artist |
Camera | Marta Sentís | Still Photographer |
Editing | Luis Manuel del Valle | Editor |
Costume & Make-Up | Jesús Moncusi | Hairstylist |
Camera | Jordi Soteras | Still Photographer |
Writing | Eduardo Calvo | Story |
Production | Marisol Carnicero | Production Manager |