Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
You can now watch The Bank Job online on the following streaming providers in the United States.
| Camera | Michael Coulter | Director of Photography |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Production | Charles Roven | Producer |
| Writing | Ian La Frenais | Screenplay |
| Production | Aaron Shuster | Producer |
| Production | Christopher Mapp | Executive Producer |
| Sound | J. Peter Robinson | Original Music Composer |
| Editing | John Gilbert | Editor |
| Production | Mairi Bett | Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Lucinda Syson | Casting |
| Production | George McIndoe | Executive Producer |
| Production | Gary Hamilton | Executive Producer |
| Production | David Whealy | Executive Producer |
| Production | Alan Glazer | Executive Producer |
| Art | Gavin Bocquet | Production Design |
| Production | Luigi Desole | Line Producer |
| Production | Pete Ford | Line Producer |
| Directing | Roger Donaldson | Director |
| Production | Steven Chasman | Producer |
| Production | Alex Gartner | Executive Producer |
| Production | Scott Fischer | Executive Producer |
| Production | David Alper | Executive Producer |
| Writing | Dick Clement | Screenplay |
| Production | Matthew Street | Executive Producer |
| Costume & Make-Up | Marion Weise | Costume Supervisor |
| Sound | Andrew Neil | Sound Re-Recording Mixer |
| Art | Pippa Sheen | Art Department Coordinator |
| Art | Mark Scruton | Set Decoration |
| Art | Richard Selway | Assistant Art Director |
| Crew | Greg Powell | Stunt Coordinator |
| Production | Sasha Harris | Production Manager |
| Sound | Andrew Neil | Supervising Sound Effects Editor |
| Crew | Brian Holmes | Special Effects Coordinator |
| Crew | Marc van Buuren | Post Production Supervisor |
| Visual Effects | Ineke Majoor | Visual Effects Producer |
| Camera | Chris Plevin | Camera Operator |
| Production | Giles Edleston | Location Manager |
| Sound | Simon Leadley | Music Editor |
| Directing | Sylvia Parker | Script Supervisor |
| Visual Effects | David Booth | Visual Effects Supervisor |
| Art | Mark Scruton | Art Direction |
| Crew | Philip Ball | Stand In |
| Camera | Stuart Howell | Camera Operator |
| Sound | Paul Pirola | Sound Re-Recording Mixer |
| Visual Effects | Peter Webb | Visual Effects Supervisor |
| Camera | Jack English | Still Photographer |
| Lighting | Terry Edland | Gaffer |
| Crew | Graham Smith | Unit Publicist |
| Art | Phil Harvey | Supervising Art Director |
| Sound | James Harvey | Dialogue Editor |
| Costume & Make-Up | Sharon O'Brien | Key Makeup Artist |
| Costume & Make-Up | Heather Ross | Makeup Designer |
| Costume & Make-Up | Kirstin Chalmers | Hair Designer |
| Costume & Make-Up | Heather Ross | Hair Supervisor |
| Costume & Make-Up | Sharon O'Brien | Key Hair Stylist |
| Costume & Make-Up | Massimo Gattabrusi | Hairstylist |
| Costume & Make-Up | Laura McIntosh | Makeup Artist |
| Costume & Make-Up | Jodie Hellingman | Hairdresser |
| Costume & Make-Up | Helene Glover | Makeup & Hair Assistant |
| Costume & Make-Up | Waldo Mason | Prosthetics |
| Costume & Make-Up | Carla Vicenzino | Makeup Artist |
| Costume & Make-Up | Donald McInnes | Key Hair Stylist |
| Camera | Karl von Moller | Director of Photography |
| Lighting | Tony Hayes | Rigging Gaffer |
| Sound | Jonathan Rimas | ADR Mixer |
| Sound | Mario Vaccaro | Foley Artist |
| Visual Effects | Paul Buckley | Lead Animator |
| Production | Tracey Taylor | Assistant Accountant |
| Crew | Kate Brontë-Stewart | Floor Runner |
| Production | Celia Barnett | Researcher |
| Art | Malcolm Roberts | Construction Manager |
| Art | Robert Voysey | Construction Manager |
| Costume & Make-Up | Yvonne Otzen | Costume Assistant |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Simon Bysshe | Boom Operator |
| Sound | Blair Slater | Foley Editor |
| Sound | John McKerrow | Sound Recordist |
| Production | Polly Jefferies | Production Coordinator |
| Art | Ben Collins | Standby Art Director |
| Camera | Julian Bucknall | First Assistant "A" Camera |
| Sound | Simon Hayes | Production Sound Mixer |
| Sound | Peter Mills | Sound Effects Editor |
| Camera | Luke Myslowski | Grip |
| Camera | Ray Meere | Second Assistant "B" Camera |
| Writing | Mark Thomas | Script Editor |
| Crew | Nick Jeffries | Armorer |
| Directing | Lee Grumett | First Assistant Director |
| Sound | Lionel Strutt | ADR Coordinator |
| Editing | Tony Poriazis | Digital Intermediate |
| Camera | Tim Wooster | Camera Operator |
| Costume & Make-Up | Julie Barton | Costumer |
| Directing | Susie Struth | Script Supervisor |
| Art | Wilson Du | Draughtsman |
| Art | Nick Pelham | Storyboard Artist |
| Camera | Mike Brewster | Second Unit Director of Photography |
| Sound | Robin Johnson | Boom Operator |
| Art | Laura Dishington | Graphic Designer |
| Camera | Peter Myslowski | Key Grip |
| Camera | Chas Bain | Camera Operator |
| Camera | Martin Hume | Camera Operator |
| Art | Paul Hearn | Props |
| Art | Hannah Read | Art Department Assistant |
| Lighting | Richard Mason | Electrician |
| Sound | Kieran McVeigh | Assistant Sound Editor |
| Directing | Polly Hope | Script Supervisor |
| Production | Natalia Pizzey | Production Coordinator |
| Directing | Josh Robertson | First Assistant Director |
| Sound | Rachael Tate | ADR Recordist |
| Art | Louise Begbie | Art Department Assistant |
| Sound | Steve Burgess | Sound Effects Editor |
| Editing | Ruth Coulson | First Assistant Editor |
| Production | Hollie Foster | Assistant Production Coordinator |
| Production | Peter Block | Production Executive |
| Crew | Scott Warwick | Armorer |
| Production | Daniel Budd | First Assistant Accountant |
| Sound | Edward Rogers | Music Programmer |
| Sound | Alan Freedman | ADR Mixer |
| Directing | Brendan Campbell | First Assistant Director |
| Directing | Luigi Spoletini | First Assistant Director |
| Sound | Bruce Emery | Dolby Consultant |
| Art | Nathan Bayliss | Title Designer |
| Crew | Neil Toddy Todd | Special Effects Technician |
| Editing | Justin Heitman | Digital Intermediate Colorist |
| Editing | Amelia Ford | First Assistant Editor |
| Editing | George Awburn | Online Editor |
| Sound | Kim Green | Music Consultant |
| Art | Nick Turnbull | Property Master |
| Camera | John Ferguson | First Assistant "B" Camera |
| Production | Kate Ringsell | Casting Assistant |
| Art | Amelia Marasco | Set Dresser |
| Camera | Andrew Jerram | First Assistant Camera |
| Camera | Luke Coulter | Second Assistant "A" Camera |
| Costume & Make-Up | Sharon Long | Assistant Costume Designer |
| Costume & Make-Up | Anthony Brookman | Costume Assistant |
| Directing | Matthew Baker | First Assistant Director |
| Crew | Daniel Williams | Special Effects Technician |
| Editing | Nic Smith | Digital Intermediate |
| Directing | Michael Stevenson | Additional Second Assistant Director |
