TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.
| Directing | Spike Lee | Director |
| Writing | Spike Lee | Screenplay |
| Camera | Ellen Kuras | Director of Photography |
| Production | Jon Kilik | Producer |
| Production | Spike Lee | Producer |
| Editing | Sam Pollard | Editor |
| Art | Ford Wheeler | Set Decoration |
| Sound | Philip Stockton | Supervising Sound Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Art | Victor Kempster | Production Design |
| Costume & Make-Up | Ruth E. Carter | Costume Design |
| Art | Harry Darrow | Art Direction |
| Sound | Rolf Pardula | Sound Mixer |
| Crew | Savion Glover | Choreographer |
| Production | Aisha Coley | Casting |
| Crew | Michael Ray Charles | Visual Effects Design Consultant |
| Production | Judy Aley | Researcher |
| Sound | Alex Steyermark | Music Supervisor |
| Costume & Make-Up | Nathan J. Busch II | Key Hair Stylist |
| Costume & Make-Up | Ellie Winslow | Key Makeup Artist |
| Crew | Eileen Ahearn | Thanks |
| Sound | Terence Blanchard | Original Music Composer |
| Production | Kisha Imani Cameron | Associate Producer |
| Costume & Make-Up | Dale Brownell | Hairstylist |
| Costume & Make-Up | Patrice Coleman | Makeup Supervisor |
| Directing | Mike Ellis | First Assistant Director |
| Sound | Kam Chan | Foley Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Frank Kern | Foley Supervisor |
| Sound | George A. Lara | Foley Recordist |
| Sound | Blake Leyh | Sound Effects Editor |
| Sound | Glenfield Payne | Sound Effects Editor |
| Crew | Roy Farfel | Stunts |
| Crew | Manny Siverio | Stunt Coordinator |
| Art | Randall Balsmeyer | Title Designer |
| Camera | Christopher Hall | "B" Camera Operator |
| Camera | Christopher Norr | "A" Camera Operator |
| Lighting | John G. Velez | Gaffer |
| Sound | Brice Winston | Musician |
