Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
| Writing | Adolph Green | Screenplay |
| Writing | Patrick Dennis | Novel |
| Directing | Morton DaCosta | Director |
| Writing | Betty Comden | Screenplay |
| Camera | Harry Stradling Sr. | Director of Photography |
| Editing | William H. Ziegler | Editor |
| Art | Malcolm C. Bert | Production Design |
| Sound | Bronislau Kaper | Original Music Composer |
| Costume & Make-Up | Orry-Kelly | Costume Design |
| Art | George James Hopkins | Set Decoration |
| Art | Malcolm C. Bert | Art Direction |
| Production | Morton DaCosta | Producer |
| Crew | Bob Herron | Stunts |
| Costume & Make-Up | Gordon Bau | Makeup Supervisor |
| Costume & Make-Up | Gene Hibbs | Makeup Artist |
| Costume & Make-Up | Myrl Stoltz | Hairstylist |
| Costume & Make-Up | Robert J. Schiffer | Makeup Artist |
| Directing | Don Alvarado | Assistant Director |
| Sound | M.A. Merrick | Sound |
| Sound | Michael Colgan | Sound Editor |
| Sound | Bruce Flu | Sound Editor |
| Sound | Larry Meek | Sound Editor |
| Crew | Johnny Borgese | Special Effects |
| Crew | Roydon Clark | Stunts |
| Crew | John Epper | Stunts |
| Crew | Dick Hudkins | Stunts |
| Crew | Boyd 'Red' Morgan | Stunts |
| Crew | Audrey Scott | Stunts |
| Crew | Dean Smith | Stunts |
| Camera | Harry Stradling Jr. | Camera Operator |
| Editing | Sam O'Steen | Assistant Editor |
| Art | Wayne Fitzgerald | Title Designer |
