In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.
| Directing | Philip Haas | Director |
| Writing | Philip Haas | Screenplay |
| Writing | Belinda Haas | Screenplay |
| Camera | Bernard Zitzermann | Director of Photography |
| Writing | A.S. Byatt | Story |
| Production | Belinda Haas | Producer |
| Production | Joyce Herlihy | Producer |
| Production | Kerry Orent | Producer |
| Editing | Belinda Haas | Editor |
| Production | Celestia Fox | Casting |
| Art | Jennifer Kernke | Production Design |
| Art | Alison Riva | Art Direction |
| Costume & Make-Up | Paul Brown | Costume Design |
| Sound | Annette Kudrak | Music Editor |
| Crew | Kim Brandstrup | Choreographer |
| Directing | Danuta Skarszewska | Script Supervisor |
| Costume & Make-Up | Jane Hamilton | Costume Supervisor |
| Camera | Kevin Flay | Camera Operator |
| Camera | Simon Mein | Still Photographer |
| Camera | Alex Bailey | Still Photographer |
| Lighting | Eric Baraillon | Gaffer |
| Sound | George A. Lara | Foley |
| Sound | Brian Vancho | Foley |
| Sound | Michael Barry | Sound Re-Recording Mixer |
| Sound | Wendy Hedin | Supervising Sound Editor |
| Costume & Make-Up | Martin Samuel | Hairstylist |
| Costume & Make-Up | Sarah Monzani | Makeup Artist |
| Sound | Alexander Bălănescu | Original Music Composer |
| Sound | Colin Nicolson | Sound |
