During WWII, industrialist Joe Keller commits a crime and frames his business partner Herbert Deever. Years later, his sin comes back to haunt him when Joe's son plans to marry Deever's daughter.
| Directing | Irving Reis | Director |
| Writing | Arthur Miller | Theatre Play |
| Production | Chester Erskine | Producer |
| Sound | Leith Stevens | Original Music Composer |
| Camera | Russell Metty | Director of Photography |
| Editing | Ralph Dawson | Editor |
| Art | Hilyard M. Brown | Art Direction |
| Art | Bernard Herzbrun | Art Direction |
| Art | A. Roland Fields | Set Decoration |
| Art | Russell A. Gausman | Set Decoration |
| Costume & Make-Up | Grace Houston | Costume Design |
| Sound | Leslie I. Carey | Sound |
| Sound | Corson Jowett | Sound |
| Costume & Make-Up | Carmen Dirigo | Hairstylist |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Directing | Frank Shaw | Assistant Director |
| Crew | David S. Horsley | Special Effects |
| Sound | David Tamkin | Orchestrator |
| Camera | Philip H. Lathrop | Camera Operator |
| Writing | Chester Erskine | Screenplay |
