A man claiming to be Carol Brady's long-lost first husband, Roy Martin, shows up at the suburban Brady residence one evening. An impostor, the man is actually determined to steal the Bradys' familiar horse statue, a $20-million ancient Asian artifact.
| Editing | Anita Brandt-Burgoyne | Editor |
| Writing | Sherwood Schwartz | Characters |
| Writing | Harry Elfont | Screenplay |
| Production | Lloyd J. Schwartz | Producer |
| Camera | Mac Ahlberg | Director of Photography |
| Writing | James Berg | Screenplay |
| Production | Alan Ladd Jr. | Producer |
| Production | Sherwood Schwartz | Producer |
| Directing | Arlene Sanford | Director |
| Writing | Deborah Kaplan | Screenplay |
| Sound | Guy Moon | Original Music Composer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Writing | Stan Zimmerman | Screenplay |
| Art | Cynthia Kay Charette | Production Design |
| Costume & Make-Up | Rosanna Norton | Costume Designer |
| Directing | Gregory Jacobs | First Assistant Director |
| Directing | Allen Kupetsky | Second Assistant Director |
| Crew | Jeannie Epper | Stunts |
| Writing | Harry Elfont | Story |
| Writing | Deborah Kaplan | Story |
| Production | Michael Fottrell | Co-Producer |
| Production | Kelliann Ladd | Co-Producer |
| Production | Deborah Aquila | Casting |
| Art | Troy Sizemore | Art Direction |
| Art | Bob Kensinger | Set Decoration |
| Crew | Donna Evans | Stunts |
| Crew | Noon Orsatti | Stunts |
| Camera | David Jensen | Grip |
| Directing | Benita Brazier | Script Supervisor |
